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odi et amo: I hate and I love: opening of Catullus 85; the entire poem reads, "odi et amo quare id faciam fortasse requiris / nescio sed fieri sentio et excrucior" (I hate and I love. Why do I do this, you perhaps ask. / I do not know, but I feel it happening to me and I am burning up.) odi profanum vulgus et arceo: I hate the unholy rabble and ...
III.1, Odi profanum vulgus et arceo... – On Happiness – Philosophy is a mystery which the uninitiated crowd cannot understand. The worthlessness of riches and rank. The praise of contentment. Care cannot be banished by change of scene. III.2, Angustam amice pauperiem pati... – On Virtue –
No. 34 Odi profanum vulgus et arceo: favete linguis, E ♭ minor No. 35 Musique Militaire, B ♭ major No. 36 Toccatina, F minor No. 37 Scherzettino, C minor No. 38 Les Bons Souhaits: Le ciel vous soit toujours prospère!, G major No. 39 Héraclite et Démocrite, D minor No. 40 Attendez-moi sous l'orme, A major No. 41 Les Enharmoniques, E minor
The advance of the profane has led to several countermovements, attempting to limit the scope of the profanum. Modernism set out to bring myth and a sense of the sacred back into secular reality [19] — Wallace Stevens speaking for much of the movement when he wrote that "if nothing was divine then all things were, the world itself". [20]
"Odi et amo", No. 19 of Moralia by Jacobus Gallus "Odi et amo", part of Catulli Carmina by Carl Orff "Odi et amo" by Jóhann Jóhannsson's album Englabörn [4] "Wrecking Ball" (Miley Cyrus), adaptation with Catullus 85 by Eric Whitacre, performed by Eric Whitacre Singers and Marius Beck; [5] performed live and recorded at the 2014 iTunes Festival in London
Her second record, Odi Profanum Vulgus et Arceo, has been released by Temporary Residence Limited as of September 2006. [2] The record had some positive international recognition, and Beck notably ranked it second among his favourite records of 2006. [3] [4] Violetta Beauregarde's music has been likened to that of Kid 606 or Atari Teenage Riot. [5]
Esquisses (Sketches), Op. 63, is a set of 49 short piano pieces by French composer Charles-Valentin Alkan and published in 1861. The pieces are divided into four books; the first pair of books and the last pair each comprise between them pieces in each of all the major and minor keys.
He is tormented by the rape and murder of his wife by enemy soldiers during the Alend-Cadwall wars. Master Eremis: One of the Imagers in the Congery, he suggests that Terisa did not exist until she came to Mordant, but this doesn't stop him from trying to seduce her at every turn.