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The sal tree (Shorea robusta) is often confused with the ashoka tree (Saraca indica) in the ancient literature of the Indian Subcontinent. [8] The position of the Salabhanjika is also related to the position of Queen Māyā of Sakya when she gave birth to Gautama Buddha under an asoka tree in a garden in Lumbini, while grasping its branch. [7]
The yaksha is generally on the right-hand side of the Jina image while the yakshini is on the left-hand side. They are regarded mainly as devotees of the Jina and have supernatural powers. They are also wandering through the cycles of births and deaths just like the worldly souls, but have supernatural powers. [16]
Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]
The Didarganj Yakshi (or Didarganj Chauri Bearer; Hindi: दीदारगंज यक्षी) is one of the finest examples of very early Indian stone statues.It used to be dated to the 3rd century BCE, as it has the fine Mauryan polish associated with Mauryan art, but another Yakshi is also found but without polish so it is also dated to approximately the 2nd century CE, based on the ...
Tree deities were common in ancient Northern European lore. In Charlemagne's time, following the Capitulatio de partibus Saxoniae in 782 offerings to sacred trees or any other form of worship of the spirits of trees and springs were outlawed. Even as late as 1227 the Synod of Trier decreed that the worship of trees and sources was forbidden. [5]
Makhādeva – A tree-dweller converted by the Buddha when he was still a bodhisattva ☸; Maṇibhadra – A popular figure in Hinduism, Buddhism and Jainism ॐ☸卐; Mānuṣyayakṣa – One of thirteen yakshas given in the Jain Tattvārtha Bhāṣya 卐; Mārīca – Cursed to become a rakshasa by the sage Agastya ॐ
The Sanchi Yakshi Figure is a sandstone statue of the Shalabhanjika Yakshi from the ancient Buddhist site of Sanchi in the state of Madhya Pradesh, India.One of the earliest Buddhist sculptures from the Indian subcontinent, it has been part of the British Museum's collection since 1842.
In Indian art, a surasundari (Sanskrit: सुरसुन्दरी, romanized: Surasundarī, lit. 'beautiful goddess') is a young maiden characterizing feminine beauty and graceful sensuality.