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The Happiest Girl in the World, words by E. Y. Harburg, a 1961 Broadway musical; Christopher Columbus, words by Don White, recorded in London in 1977 by Opera Rara; Le carnaval des revues and Les hannetons include pre-existing scores but were created under Offenbach and include some new music by him. [9]
Offenbach in the 1860s. This is a list of musical compositions by Jacques Offenbach (1819–1880). Offenbach is principally known for his operettas, of which he composed 98 between 1847 and 1880.
Giasone was the most popular opera of the 17th century. [7] 1651 La Calisto (Cavalli). Ninth of the eleven operas that Cavalli wrote with Faustini is noted for its satire of the deities of classical mythology. [8] 1683 Dido and Aeneas (Henry Purcell). Often considered to be the first genuine English-language operatic masterwork.
The following is a list of operas and operettas with entries in Wikipedia. The entries are sorted alphabetically by title, with the name of the composer and the year of the first performance also given.
Composed 1826. The overture to Berlioz's first attempt at opera, which was never staged. The overture was first performed in the concert hall of the Paris Conservatoire as part of an all Berlioz concert on 26 May 1828. In his study on the composer, Jacques Barzun describes the work as "a genuine tour de force for a young dramatic musician ...
Light Cavalry Overture is the overture to Franz von Suppé’s operetta Light Cavalry (German: Leichte Kavallerie), [1] premiered in Vienna in 1866. [2] Although the whole operetta is rarely performed or recorded, the overture is one of Suppé's most popular compositions, and has achieved a quite distinct life of its own, divorced from the opera of which it originally formed a part.
Ouvertüre zum Märchen von der schönen Melusine, Op. 32, (German: Overture to the Legend of the Fair Melusine) is a concert overture by Felix Mendelssohn written in 1834. . It is generally referred to as Die schöne Melusine in modern concert programming and recordings, and is sometimes rendered in English as The Fair Melusine and The Fair Melusi
[a] They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses. [1]