Search results
Results from the WOW.Com Content Network
Pretty Girl cracks open the women's gifts and finds three pictures: one of a woman carding silk, a second with a woman spinning silk and the third with a woman weaving silk. She uses the pictures to bribe the false bride for three nights with Bully Bornes.
René Bull was a British illustrator and photographer. He was born in Dublin on 11 December 1872 to a French mother and an English father. He went to Paris to study engineering, but embarked on an artistic career after meeting and taking drawing lessons from the French satirist and political cartoonist Caran d'Ache (Emmanuel Poiré). [ 1 ]
The explicit cover is a black-and-white image of a topless woman sitting in a tiled room, surrounded and partially obscured by balloons. When the mixtape was sold separately for retail release on iTunes and in stores in 2015, the cover was censored. [58] Whitesnake – Lovehunter (1979) and Come an' Get It (1981)
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
[12] [15] Black and White has both order and chaos, expressed through the story, illustrations, and design of the book. [12] The chaos of the story increases, reaching its climax when the only colors used are black on white on a page, before order is restored at the end of the stories and at the end of the book. [16]
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
Silhouette pictures could easily be printed by blocks that were cheaper to produce and longer lasting than detailed black and white illustrations. Silhouette pictures sometimes appear in books of the early 20th century in conjunction with colour plates. (The colour plates were expensive to produce and each one was glued into the book by hand.)
Over the next several years, she continued to create illustrations for magazines, including a series of Mother Goose illustrations printed in Good Housekeeping, which were black and white until mid-1914 when they were printed in color. Her illustrations were reproduced in the book The Jessie Willcox Smith Mother Goose by Dodd, Mead, and Company ...