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  2. Diminished triad - Wikipedia

    en.wikipedia.org/wiki/Diminished_triad

    This triad is consequently called the supertonic diminished triad. Like the supertonic minor triad found in a major key, the supertonic diminished triad has a predominant function, almost always resolving to a dominant functioning chord. [7] If the music is in a minor key, diminished triads can also be found on the raised seventh note, ♯ vii o.

  3. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Download QR code; Print/export ... 0 3 6 e: Diminished Diminished seventh chord ... Triad (music) Upper structure; References

  4. Triad (music) - Wikipedia

    en.wikipedia.org/wiki/Triad_(music)

    In standard tonal music, only major and minor triads can be used as a tonic in a song or some other piece of music. That is, a song or other vocal or instrumental piece can be in the key of C major or A minor, but a song or some other piece cannot be in the key of B diminished or F augmented (although songs or other pieces might include these ...

  5. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3.

  6. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    The diminished triad can be used to substitute for the dominant seventh chord. In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad.

  7. Upper structure - Wikipedia

    en.wikipedia.org/wiki/Upper_structure

    USi – e.g. C minor over C 7, resulting in C 7 ♯ 9; US â™­ ii – e.g. D â™­ minor over C 7, resulting in C 7 â™­ 9 â™­ 13; US â™­ iii – e.g. E â™­ minor over C 7, resulting in C 7 ♯ 9 ♯ 11; The second item in the list above (C 7 â™­ 9 ♯ 11) has a related version called upper structure sharp four minor--with the written shorthand US ...

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