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Voting period is over. Please don't add any new votes. Voting period ends on 13 Feb 2015 at 22:49:12 (UTC). Original – Destroy this Mad Brute: Enlist (1917), a propaganda poster by Harry R. Hopps which shows a terrifying gorilla with a helmet labeled "militarism" holding a bloody club labeled "kultur" and a half-naked woman as he stomps onto the shore of America.
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A 1915 Australian badge reflecting the Anti-German sentiment at the time Anti-German propaganda cartoon from Australia, Norman Lindsay, between 1914 and 1918. When Britain declared war on Germany in 1914, naturalized Australian subjects born in enemy countries and Australian-born descendants of migrants born in enemy countries were declared "enemy aliens".
'Destroy this mad brute' A U.S. WWI propaganda poster depicting the Germans Uncle Sam's call to arms. The most influential man behind the propaganda in the United States was President Woodrow Wilson. In his famous January 1918 declaration, he outlined the "Fourteen Points," which he said that the United States would fight to defend. [18]
Destroy this Mad Brute: Enlist (1917) Harry Ryle Hopps (1869 – August 24, 1937, Los Angeles) was an American businessman and artist. He was the son of George Hopps and Ann Hopps, both artists. George Hopps was a stage set designer. Harry Ryle Hopps and his brother Bert owned the United Glass Company of San Francisco from c. 1880 to c. 1918.
The billboard, which reads “No a los dictadores, no a Trump” – “No to dictators, no to Trump” – was posted Monday along the Palmetto Expressway near Northwest 67th Avenue by an anti ...
First propaganda film directed by Riefenstahl. Recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. 8 December 1933: Flüchtlinge "Refugees" 87 min: Feature film: Gustav Ucicky: Hans Albers Käthe von Nagy Eugen Klöpfer Andrews Engelmann: 13 December 1933: Hans Westmar. Einer von vielen.
Atrocity propaganda is the spreading of information about the crimes committed by an enemy, which can be factual, but often includes or features deliberate fabrications or exaggerations. This can involve photographs, videos, illustrations, interviews, and other forms of information presentation or reporting.