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Herrán Matorras' Virgin of El Panecillo (1976) on El Panecillo is a large replica of the sculpture. The Virgin of Quito (Spanish, La Virgen de Quito) — also known as the Virgin of the Apocalypse, Winged Virgin of Quito, Dancing Madonna, and Legarda's Virgin — is a wooden sculpture by the Quiteño artist Bernardo de Legarda (ca. 1700-1773) which has become the most representative example ...
The Virgin of El Panecillo (in Spanish: Virgen del Panecillo), also known as the Virgin of Quito from the sculpture of the same name, is a monument in Quito, Ecuador. It is located on the top of the hill of El Panecillo, a loaf-shaped hill in the heart of the city and serves as a backdrop to the historic center of Quito.
Virgen de Quito. In 1975, the Spanish artist Agustín de la Herrán Matorras was commissioned by the religious order of the Oblates to build a 45-meter-tall stone monument of a madonna which was assembled on a high pedestal on the top of Panecillo. [1] Called "Virgin of El Panecillo", it is made of seven thousand pieces of aluminium.
The Quito School (Escuela Quiteña) is a Latin American colonial artistic tradition that constitutes essentially the whole of the professional artistic output developed in the territory of the Royal Audience of Quito – from Pasto and Popayán in the north to Piura and Cajamarca in the south – during the Spanish colonial period (1542–1824 ...
The decoration of the half dome of the La Iglesia de El Sagrario, Quito. The high altar reredos of the Basílica de Nuestra Señora de la Merced and the enclosure under the choir of La Iglesia de Santo Domingo in quito; Legarda created a series of Immaculate Conceptions ("Virgins of Quito") and Assumptions.
It was handed over by the Franciscans to the Brotherhood of the Veracruz de Naturales, made up of the most skilled indigenous sculptors and painters of the city of Quito, who immediately began its construction in 1581. At the end of the 17th century it was handed over to the Franciscan Third Order and the Brotherhood of la Virgen de los Dolores.
Based on their use of these shells associated with religious rituals, the Quitu were among the many peoples who gave them sacred meaning. [2] The people made art and used wooden instruments for their music. The Museum of Florida has been developed here to display and interpret artifacts from the tombs.
Atahualpa, born in Quito according to Juan de Velasco and Garcilaso de la Vega, [22] [23] and in Cusco according to the most reliable chronicles, [24] [25] [26] [21] [27] was the favorite son of Huayna Capac and was very popular among the Inca armies stationed in the north. The brothers battled for six years, killing many men and weakening the ...