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Chabad niggunim were either composed or taught by the Rebbe of Chabad or their Hassidim. [1] Niggunim are used to aid for meditation during Chasidic prayer or Torah study, as well as during farbrengens. [2] some of these ancient Chabad melodies have recently made their way into mainstream music. [3]
Reggae artist Matisyahu has included portions of Chabad niggunim and lyrics with Chabad philosophical themes in some of his songs. In 2022, an Israeli theatrical company produced a Chabad-themed musical HaChabadnikim which follows two young men from Kfar Chabad who go to live in Tel Aviv. The musical runs for 140 minutes. [167]
This differentiation enables the intellectual aims of Chabad to be holistically united with emotional joy and soul-searching. The second Rebbe of Chabad, Dovber Schneuri, distinguished between mainstream Hasidic "enthusiasm", and the Chabad aim of intellectually created "ecstasy". Enthusiasm expresses itself in emotional exuberance, reflected ...
At farbrengens it is customary to sing Hasidic melodies known as niggunim (singular: niggun). Chabad tradition contains many hundreds of such tunes, both slow and soul-stirring, and fast and lively. The goal is for the niggun to inspire and open the hearts of the participants. Zemiros are not sung.
Talmud broadened his understanding of music and prayer by visiting well-known baalei tefillah (prayer leaders) such as Reb Zeidel Rovner and Reb Nissan Belzer. As a young man, he was given the responsibility of importing the niggunim of Reb Yonah Erlich, Reb Nissan Koshinover, and others to Ger. Often he altered the tunes with his own additions ...
He was featured at the HASC 27 "A Time for Music" concert on January 12, 2013. [ 15 ] [ 16 ] On Lag B'omer 2020, he was one of many singers to perform in the "Hatzalah-thon" fundraiser, created to raise money for Hatzalah and in honor of the completion of the "Miracle Sefer Torah ," which was written as a merit for those sick with COVID-19 ...
During "Pour Some Sugar On Me (UK Version)" the audio originally contained demolition sounds such as glass breaking and walls crumbling while the house they were performing in was torn down around them. The audio for the U.S. version also originally contained audio clips of crowds cheering throughout most of the song.
However, "Pour Some Sugar on Me" was the first song used there for the "live" concept (in fact, many of the scenes are the same in the two), but instead of filming a different video, slight changes were made using footage filmed in October at the Omni in Atlanta, Georgia.