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Bali therefore may be seen as a repository not only of its own arts but those of Java in the pre-Islamic 15th century. [1] Any attempt to definitively describe Balinese textiles and their use is doomed to be incomplete. The use of textile is a living tradition and so is in constant change. It will also vary from one district to another.
Bed hangings or bed curtains are fabric panels that surround a bed; they were used from medieval times through to the 19th century. Bed hangings provided privacy when the master or great bed was in a public room, such as the parlor, but also showed evidence of wealth when beds were located in private areas of the home.
Embroidered lace is embroidered on a base using a needle. The base varies according to the type. Many techniques use a net, either woven or knotted. The net varies: Woven fabric with threads removed to make a grid (Reticella, Buratto) Machine made hexagonal net (Limerick, Needlerun net, Tambour)
The Nyonya kebaya is very unique as it is famous for the use of lace and elaborate embroidery techniques [25] that is traditionally worn with matching jewelleries and a pair of hand-beaded shoes. [11] The Nyonya kebaya is a tighter-fitting sheer embroidered blouse that is traditionally paired with a batik sarong either drawn by hand or machine ...
Balinese girls wearing kebaya. The kebaya is the national attire of women from Indonesia, although it is more accurately endemic to the Javanese, Sundanese and Balinese peoples. [2] It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned with brocade or floral pattern embroidery.
Broderie anglaise (French, "English embroidery", pronounced [bʁɔdʁi ɑ̃ɡlɛz]) is a whitework needlework technique incorporating features of embroidery, cutwork and needle lace that became associated with England, due to its popularity there in the 19th century.
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