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  2. Piano Sonata No. 4 (Prokofiev) - Wikipedia

    en.wikipedia.org/wiki/Piano_Sonata_No._4_(Prokofiev)

    In his notes accompanying the full set of recordings of Prokofiev's sonatas by Boris Berman, David Fanning states the following: . Whether the restrained, even brooding quality of much of the Fourth Sonata relates in any direct way to Schmidthof's death is uncertain, but it is certainly striking that the first two movements both start gloomily in the piano's low register.

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

  4. Sunday (Chester Conn song) - Wikipedia

    en.wikipedia.org/wiki/Sunday_(Chester_Conn_song)

    Sunday" is a 1926 song written by Chester Conn, with lyrics by Jule Styne, Bennie Krueger, and Ned Miller, which has become a jazz standard recorded by many artists. The tune has been fitted out to various lyrics, but best known in the original version of British-American songwriter Jule Styne : "I'm blue every Monday, thinking over Sunday ...

  5. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.

  6. Herz und Mund und Tat und Leben, BWV 147 - Wikipedia

    en.wikipedia.org/wiki/Herz_und_Mund_und_Tat_und...

    Bach used as a basis for the music a cantata in six movements that he had written in Weimar for the fourth Sunday in Advent 1716, Herz und Mund und Tat und Leben, BWV 147a. [4] As Leipzig observed tempus clausum (time of silence) during Advent, allowing cantata music only on the first Sunday, Bach could not perform the cantata for the same ...

  7. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    Aeolian harmony [10] is harmony or chord progression created from chords of the Aeolian mode. Commonly known as the "natural minor" scale, it allows for the construction of the following triads (three note chords built from major or minor thirds), in popular music symbols: i, ♭ III, iv, v, ♭ VI, and ♭ VII.

  8. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    A minor seventh would be added to the dominant "V" chord to increase tension before resolution (V 7 –i). [2] The roots of the chords belong to a modern phrygian tetrachord (the equivalent of a Greek Dorian tetrachord, [10] the latter mentioned above), that is to be found as the upper tetrachord of a natural minor scale (for A minor, they are: A G F E).

  9. Symphony No. 4 (Tchaikovsky) - Wikipedia

    en.wikipedia.org/wiki/Symphony_No._4_(Tchaikovsky)

    As the music solidifies into large, slow syncopated chords, Tchaikovsky unleashes the musical equivalent of lightning bolts: two short fortissimo chords, each followed by a long measure of silence. As the music ebbs away, the woodwinds hint at the main melody, which is properly introduced by the strings at the Moderato con anima .

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