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Maurice J. Summerfield with (right to left) Barney Kessel, Herb Ellis, Joe Pass, and Charlie Byrd Summerfield developed a close relationship with Barney Kessel, resulting in his presenting the guitarist in concert and master classes, [ 12 ] publishing three volumes of guitar solos, and writing the Kessel's authorized biography. [ 13 ]
Joe Pass (born Joseph Anthony Jacobi Passalacqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. [1] [2] Although Pass collaborated with pianist Oscar Peterson and vocalist Ella Fitzgerald, his status as one of the most notable jazz guitarists of the 20th century is generally attributed to his work on his solo albums, such as Virtuoso.
Joe Pass (1929 - 1994) notable jazz guitarist. Joe became an Ibanez endorser in 1980, and his signature JP20 model was produced from 1981 until 1990. [31] John Petrucci (born 1967) is the guitarist of the American progressive metal band Dream Theater. From the beginning of the band's career in 1985 until 2000, John Petrucci used his Ibanez ...
Joe Pass was a very well known virtuoso Jazz guitarist becoming most well known for his solo work whilst also having recorded with a number of other leading artists such as Ella Fitzgerald. [ 1 ] Joe Pass previously had a relationship with the Ibanez guitar company, but in the late 1990s Epiphone released the Emperor II, claiming Pass had a ...
[3] Writing for AllMusic , music critic Scott Yanow said of the album: "This odd LP certainly stands out in his discography. The five brief 'Interludes,' along with 'Joey's Blues,' feature Pass playing unaccompanied for some of the first times on record, but with the exception of the 'Blues,' the music is quiet and uneventful.
Virtuoso No. 4 is an album by jazz guitarist Joe Pass that was recorded in 1973 and released in 1983. It was re-issued in 1993 on CD with three additional tracks ("Weaselocity", "Blues for Pete", and "What Are You Doing the Rest of Your Life?").
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
All tracks on this album are performed on acoustic guitar, are from the same 1992 session that produced Unforgettable. Those two recordings were the only Pass records where he played a nylon-string guitar exclusively. "We had talked about an all-acoustic album for years," (producer) Eric Miller explains.
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