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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Na kai ākau nā one hema From northern seas to southern shores ʻIkea kou ʻihi mana nui Your way is known both far and near Eia mākou i kou kapa kai We come to your shores, gracious lady ʻI kou lā nui Iubilī On this great day of your Jubilee: I hiʻi mai i kou mākou aloha To bring kind greetings from afar Maluna ou ka malu o ka Lani
Apla Ta Pragmata (Greek: Απλά Τα Πράγματα; English: Things Are Simple) is the twelfth studio album by Greek artist, Katy Garbi.It was released on 14 December 2001 by Sony Music Greece and certified platinum in a month, but after months received double-platinum certification in Greece, selling over 100,000 units* (50,000^ albums).
A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.
The Dapper Dans barbershop quartet, at Disneyland's Main Street, USA WPA poster, 1936. Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.