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In other words, Chinese poetry refers to poetry written or spoken in the Chinese language. The various versions of Chinese poetry, as known historically and to the general knowledge of the modern world, include two primary types, Classical Chinese poetry and modern Chinese poetry.
The earliest extant anthologies are the Shi Jing (詩經) and Chu Ci (楚辭). [2] Both of these have had a great impact on the subsequent poetic tradition. Earlier examples of ancient Chinese poetry may have been lost because of the vicissitudes of history, such as the burning of books and burying of scholars (焚書坑儒) by Qin Shi Huang, although one of the targets of this last event was ...
The Classic of Poetry, also Shijing or Shih-ching, translated variously as the Book of Songs, Book of Odes, or simply known as the Odes or Poetry (詩; Shī), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BC.
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
The character that more-or-less means "poetry", in the ancient Chinese Great Seal script style. The modern character is shī (詩/诗).. Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty.
Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese ...
Weinberger compares translations of the poem into English, French, and Spanish, and analyzes the difficulties that are encountered when translating Chinese poetry. Since its publication, the book has been referred to as an essential work on the subject of translation. An updated edition including additional "ways" was published in 2016.
Herbert's preface is about the history of translation strategies, his own work with Chinese poets, [3] and how Jade Ladder was assembled. [4] He explains that the ladder in the title refers to a vision of the mythical Mount Kunlun as a ladder between earth and heaven that the holy could climb, and that the ladder is used here as a symbol for "the transit of the Chinese poem between the ...