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Pracha is a graphic designer, known for his work with advertising agency SC Matchbox as well as contributions to the field of typographic design. Among his numerous writings on design and culture, his 2002 book and exhibit, 10 Faces of Thai Type and the Nation, helped establish the historical narrative of Thai typography. He received the ...
In 2001, the first "National Fonts" set was released by NECTEC.It contains three Thai typefaces: Kinnari, Garuda, and Norasi.These typefaces were intended to be public alternatives to the widely used, yet licence-restricted, commercial typefaces that came bundled with major operating systems and applications. [2]
An 1895 advertisement in the Bangkok Times for the Smith Premier typewriter dealership, then held at George B. McFarland's dental practice. Following the introduction and popularization of typewriters in the West in the 1880s, the first Thai typewriter was developed by Edwin Hunter McFarland, a Thai-born son of American missionary Samuel G. McFarland.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
The first intensive excavation of Ban Chiang was a joint effort by the University of Pennsylvania Museum and the Thai Department of Fine Arts, with co-directors Chester Gorman and Pisit Charoenwongsa. The aim was not only to investigate the site but to train Thai and western archaeologists in the latest techniques.
Typography and design were crucial to helping these relationships progress—clarity, objectivity, region-less glyphs, and symbols are essential to communication between international partners. International Typographic Style found its niche in this communicative climate and expanded further beyond Switzerland, to America.
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Poem typeset with generous use of decorative dingbats around the edges (1880s). Dingbats are not part of the text. In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames (similar to box-drawing characters), or as a dinkus (section divider).
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