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Jackson Browne (Original owner of Overdrive Special #1, Dumbleland, and Steel String Singer #2) [40] Ry Cooder was an original owner of the Dumble Borderline Special (a 50 watts Overdrive Special with added tremolo effect). According to some sources he got so fed up of waiting for repairs or customizing, that he put the amp head in Dumble’s ...
The Power Station serves as a power attenuator, power booster, and reamping device with a passive line out and posts load amp effects loop. The internal power amp response can be adjusted using dedicated Presence and Depth controls based on Fryette's original Depth Control design introduced in 1988. Aether Amplifier. Also introduced in 2014 ...
The 400 BH power amp module was used in a range of bass amps during the early 1980s, commencing with the MKIII Bass Head in 1979. The MKIV Bass Amp head unit, introduced in 1981, offers a range of functions. It is air cooled, features protection circuitry, and is capable of around 300/350 watts RMS safely into 2 ohms.
Blackstar's alternative range to the HT Venue range - clearly designed for Metal music and play-styles. Heads come in 1, 5, and 100 watt formats, and 1, 5, and 60 watt in combo format. These amps carry the signature ISF and emulated output of Blackstar amps. The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 ...
By 1978, BGW amplifiers were installed in greater numbers in discothèques than any other amplifier. Original BGW logo. Wachner co-wrote a paper for the Audio Engineering Society (AES) in 1975, addressing the problem of differing power claims in the amplifier industry and the hope that power rating standards set by the Federal Trade Commission ...
Marshall's contract did not prevent him from building amplifiers outside the company, and so Marshall launched the Park brand name, inspired by the maiden name of Jones's wife. [10] To comply with his contract stipulations, these amplifiers had minor circuit changes compared to the regular Marshalls, and minor changes to the appearance.
1962: Launches the industry's first transistor amplifier. 1963: Sets up in the U.S., and begins full-scale overseas operations. 1966: Introduces fully transistorised audio products for the first time in the industry. 1969: The Trio Electronics (in 1996 renamed to Kenwood) TR-7100, 144 MHz amateur radio car transceiver goes on sale.
Figure 2: A negative-feedback amplifier. The circuit can be explained by viewing the transistor as being under the control of negative feedback.From this viewpoint, a common-collector stage (Fig. 1) is an amplifier with full series negative feedback.
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