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Image Sound # of chords ... I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major ... Major Chromatic descending 5–6 sequence: I–V ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
For example, the previously mentioned chord progression, in the key of E ♭ major, would be written as E ♭ major–B ♭ major–C minor–A ♭ major in a fake book or lead sheet. In the first chord, E ♭ major, the "E ♭ " indicates that the chord is built on the root note "E ♭ " and the word "major" indicates that a major chord is ...
The chord progression is a standard ii 7 –V 7 –I progression in D major and then in C major. Assume that the time signature is 4 4 and that each ii and V chord gets four beats and the I chord gets eight beats.
The chord progression for Locrian starting on B is B dim 5, C Maj, D min, E min, F Maj, G Maj, A min. Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F , in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone).
The chord progression from "Lie" by Dream Theater. The transition to the guitar solo in Dream Theater's "Lie" is built on Pitch Axis Theory. [citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B.
[1] Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the "Flower Duet" from Lakmé. Schubert's Piano Sonata, D. 575 and Dvořák's Nocturne Op. 40 are in B major. Brahms's Piano Trio No. 1, Op. 8, is in B major, though the piece ends in ...
2–5–1; Sp – D – T; When part of a chord progression, chords should be spaced equally if they take an equal portion of the progression's duration. Vertical lines may indicate bar divisions: iii 7 –VI 7 | ii 7 –V 7 | I || or, in C: e 7 –A 7 | d 7 –G 7 | C ||