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The literature of Spanish America is an important branch of Spanish literature, with its own particular characteristics dating back to the earliest years of Spain’s conquest of the Americas (see Latin American literature).
This changed the metric of Spanish literature. His use of the French method, Alexandrine verses, changed and enhanced the literary movement. Modernismo literary works also tend to include a vocabulary that many see as lyrical. Modernistic vocabulary drew from many semantic fields to impart a different meaning behind words in his literary work.
Latin American literature consists of the oral and written literature of Latin America in several languages, particularly in Spanish, Portuguese, and the indigenous languages of Latin America. This article is only about Latin American literature from countries where Spanish is the native/official language (e.g. former Spanish colonies).
Spanish-language literature or Hispanic literature is the sum of the literary works written in the Spanish language across the Hispanic world. The principal elements are the Spanish literature of Spain, and Latin American literature .
The Spanish–American War, known in Spain as the Disaster of the 98 or War of Cuba, arose between Spain and the United States in 1898, during the regency of María Cristina, widow of the king Alfonso XII. For Spain it meant the loss of the overseas colonies and the end of the formerly powerful Spanish empire.
Conceptismo (literally, conceptism) is a literary movement of the Baroque period in the Spanish literature. It began in the late 16th century and lasted through the 17th century, also the period of the Spanish Golden Age. Francisco de Quevedo y Villegas, the most significant representative of Baroque conceptismo Baltasar Gracián
Lazarillo de Tormes and his blind master Théodule Ribot - Cleveland Museum of Art. The Life of Lazarillo de Tormes and of His Fortunes and Adversities (Spanish: La vida de Lazarillo de Tormes y de sus fortunas y adversidades [la ˈβiða ðe laθaˈɾiʎo ðe ˈtoɾmes i ðe sus foɾˈtunas jaðβeɾsiˈðaðes]) is a Spanish novella, published anonymously because of its anticlerical content.
Pedro Salinas y Serrano (27 November 1891 – 4 December 1951) was a Spanish poet, a member of the Generation of '27, as well as a university teacher, scholar and literary critic. In 1937, he delivered the Turnbull lectures at Johns Hopkins University. [1] These were later published under the title Reality and the Poet in Spanish Poetry.