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Omnipotence, they say, does not mean that God can do anything at all but, rather, that he can do anything that is logically possible; he cannot, for instance, make a square circle. Likewise, God cannot make a being greater than himself, because he is, by definition, the greatest possible being. God is limited in his actions to his nature.
Sweet's An Anglo-Saxon Reader in Prose and Verse (1894) ends the poem at line 108, not 124. [28] In Old English Poems (1918), Faust and Thompson note that before line 65, "this is one of the finest specimens of Anglo-Saxon poetry" but after line 65, "a very tedious homily that must surely be a later addition". Their translation ends with 'My ...
The poem is not a conventional part of the Classical genre of Theocritan elegy, because it does not mourn an individual. The use of "elegy" is related to the poem relying on the concept of lacrimae rerum, or disquiet regarding the human condition. The poem lacks many standard features of the elegy: an invocation, mourners, flowers, and shepherds.
The poem has been compared to passages from the philosophy of Thomas Carlyle, a longtime friend and confidante of Tennyson's. [2]British Nonconformist divine Robert Forman Horton wrote that while "some of the older theologians" suspected Tennyson of literal pantheism, "The Higher Pantheism" "does not say that the All (Pan) is God, but that the All is a shadow of God whom we are at present too ...
Two boats and a helicopter, the instruments of rescue most frequently cited in the parable, during a coastguard rescue demonstration. The parable of the drowning man, also known as Two Boats and a Helicopter, is a short story, often told as a joke, most often about a devoutly Christian man, frequently a minister, who refuses several rescue attempts in the face of approaching floodwaters, each ...
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
"No two created beings are exactly alike. And their individuality is no imperfection. On the contrary, the perfection of each created thing is not merely its conformity to an abstract type but in its own individual identity with itself." [5] The result is that holiness itself is grounded in God's creation, his call, and not in a Platonic ideal ...
Latin for "unconquered", [6] the poem "Invictus" is a deeply descriptive and motivational work filled with vivid imagery. With four stanzas and sixteen lines, each containing eight syllables, the poem has a rather uncomplicated structure. [7]