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Ways of Seeing is a 1972 television series of 30-minute films created chiefly by writer John Berger [1] and producer Mike Dibb. [ 2 ] [ 3 ] It was broadcast on BBC Two in January 1972 and adapted into a book of the same name.
John Peter Berger (/ ˈ b ɜːr dʒ ər / BUR-jər; 5 November 1926 – 2 January 2017) was an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to the BBC series of the same name, was influential. He lived in France for over fifty ...
In the television series and book Ways of Seeing (1972), the art critic John Berger used the term the male gaze to discuss and explain the sexual objectification of women in the arts and in advertising — by distinguishing that men look at and that women are looked at as the subject of an image, as a representation. Regarding the social ...
Visual thinking has been described as seeing words as a series of pictures. [2] [3] It is common in approximately 60–65% of the general population. [1] "Real picture thinkers", those who use visual thinking almost to the exclusion of other kinds of thinking, make up a smaller percentage of the population.
The concept of the "male gaze" was first used by the English art critic John Berger in Ways of Seeing, a series of films for the BBC aired in January 1972, and later a book, as part of his analysis of the treatment of the nude in European painting. Berger described the difference between how men and women view and are viewed in art and in society.
Synesthesia (American English) or synaesthesia (British English) is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway.
In a similar way, certain particular patches and regions of the cortex are more involved in face recognition than other object recognition. Some studies tend to show that rather than the uniform global image, some particular features and regions of interest of the objects are key elements when the brain needs to recognise an object in an image.
Vision of Thomas Aquinas in the Vatican Museum. Evelyn Underhill distinguishes and categorizes three types of visions: [3]. Intellectual Visions – The Catholic dictionary defines these as supernatural knowledge in which the mind receives an extraordinary grasp of some revealed truth without the aid of sensible impressions, and mystics describe them as intuitions that leave a deep impression.