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Russell Simmons, Run-DMC, Boss, Flatlinerz and Biohazard had a cameo appearance in the video. The music video begins with the band surrounded by a crowd that is jumping up and down. Onyx performs the song outside, in a warehouse, and as they crowd surf. [14] The video showed slamdancing, moshing, crowd surfing.
The band had a number 6 hit in the UK Singles Chart in April 1972 with a song, "Run Run Run", [1] taken from the album. It also received airplay on U.S. album-oriented rock FM radio stations. [5] The song reached number 30 in Canada. [6] Their second album, Bite Down Hard, was a minor success, peaking on the Billboard Top 200 chart at number 75 ...
"Run Run Run" is a 2012 song by the Slovak recording artist Celeste Buckingham. Released on April 4, 2012, the singer herself wrote the song, with assistance from producers Andrej Hruška and Martin Šrámek. The official music video was credited to the director Tomáš Kasal. [1]
"Da Doo Ron Ron (When He Walked Me Home)" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector. It first became a popular top five hit single for the American girl group the Crystals in 1963. American teen idol Shaun Cassidy recorded the song in 1977 and his version hit number one on the Billboard Hot 100 chart.
The song's music video broke the records for the biggest music video premiere on YouTube, with 979,000 million concurrent viewers, [54] and the most-watched music video within 24 hours, with 56.7 million views in its first day. [55] It became the fastest video to reach 100 million views, in two days and 14 hours. [56]
Papa Doo Run Run (PDRR) was founded in 1965, as The Zu, then changed their name to Goodie Two Shoes, and is made up of current and former members of the Beach Boys, Jan & Dean's, Frankie Valli's and Brian Wilson's bands.
Run, Rose, Run is the forty-eighth solo studio album by American singer-songwriter Dolly Parton. It was released March 4, 2022, [ 1 ] through Parton's own Butterfly Records. The album was produced by Parton with Richard Dennison and Tom Rutledge.
The main difference is that the song has been made more radio-friendly by editing down most of the long instrumental run-out and appending it with a final repeat of the chorus. Litt's mix strips back much of the echo and layers of synthesizers, and in place centres the mix on Sumner's vocal and the bass guitar of Peter Hook.