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Another widely used technique, Herringbone stitch, was used in Afghanistan to embroider bridegroom's smocks with raised bands of red, green or white stitchery on a white background. [ 14 ] Couching , the stitching of decorative cord on to the surface of a fabric, was used widely across the Islamic world.
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced ...
Multi-colored crewel wool threads on a panel of linen warp and cotton weft, 18th century English The fabrics and yarns used in traditional embroidery vary from place to place. Wool , linen , and silk have been in use for thousands of years for both fabric and yarn .
Poltava and Reshetylivka products are especially famed for their “white-on-white” and openwork embroidery. [14] The red, red-blue (or red-black) color scheme plays an important role in Central and Eastern Ukrainian embroidery, as it did throughout almost the whole of Ukraine. [4]
The "front" of a piece of fabric having a distinct front and back; same as right side. facing A facing is fabric used to finish the raw edges of a garment such as at neckline and armhole. Shaped facings are cut to match the edge they will face, and bias facings are strips of fabric cut on the bias or cross-grain and shaped to fit edge.
The parts of a thobe that would often be embroidered include the chest panel (qabba) which has patterns and colors that vary from region to region and identify the wearer easily. Other commonly embroidered areas of the thobe include the rada "shoulder piece", side skirt panels ( benayiq ), the front of the skirt ( hiijer ), and the lower back ...
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Silverpoint, red chalk, and traces of black pencil on white-coated paper, Kunstmuseum Basel. Silverpoint (one of several types of metalpoint) is a traditional drawing technique and tool first used by medieval scribes on manuscripts.
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