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Mughal painting. Mughal painting is a South Asian style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), originating from the territory of the Mughal Empire in the Indian subcontinent. It emerged from Persian miniature painting (itself partly of Chinese origin) and ...
Abu al-Hasan was the son of Aqa Reza Heravi of Herat in Safavid Iran, a city with an artistic tradition. Aqa Reza was established as an artist and took up employment with Jahangir (r. 1605 –1627) before the latter's accession to the throne of the Mughal empire. [1] When Abu al-Hasan began producing art, the emperor, Jahangir, appreciated the ...
Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles.
Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed. [2]
The Shah Jahan Album, also known as the Kevorkian Album or the Emperor's Album, is a series of Mughal miniatures dating between 1620–1820 from Mughal India. The album was intended for a private audience, likely consisting of the royal family and close friends. [ 1 ]
The Passing of Shah Jahan is a Miniature painting, painted by the Indian artist Abanindranath Tagore in 1902. The painting depicts a scene in which the fifth Mughal Emperor Shah Jahan stares upon the Taj Mahal on his deathbed, with his daughter Jahanara Begum at his feet. Initially involved with the dominant style of European Naturalism, Tagore ...
Portrait of an old man, a presumed self-portrait (detail). Metropolitan Museum of Art, New York. Farrukh Beg (Persian: فرخ بیگ; c. 1547 – after 1615), also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."