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"Clubbed to Death" is an instrumental composition by Australian music producer Rob Dougan, originally released on Mo' Wax records in 1995. It featured in the 1997 film Clubbed to Death and was given renewed attention in 1999 due to its inclusion in the film The Matrix. It was re-released with new remixes in 2002.
"Coffee & TV" is a song by British rock band Blur. It was written by the band's guitarist, Graham Coxon, who also sang lead vocals rather than frontman Damon Albarn.The song appears on Blur's sixth studio album, 13 (1999), and was the second single released from the album on 28 June 1999.
Lights Out is a 2016 American supernatural horror film directed by David F. Sandberg (in his directorial debut) and written by Eric Heisserer, who based the screenplay on Sandberg's 2013 short film of the same name. It follows a woman who must protect her young half-brother against a spirit from her family's past that kills its victims in the dark.
Despite the name of the genre, witch house has little in common with house music, which generally features a strong up-tempo beat.Instead, witch house adapts techniques rooted in chopped and screwed hip-hop, specifically drastically slowed tempos with skipping, stop-timed beats [10] —from artists such as DJ Screw, [11] coupled with elements from other genres such as Wave music, Trap music ...
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
Say you can’t sleep, baby, I know. That’s that me, espresso. I can’t relate to desperation. My ‘give a fucks’ are on vacation. And I got this one boy. And he won’t stop calling. When ...
"Popcorn" (first version "Pop Corn") is an instrumental song composed by Gershon Kingsley in 1969 for the album Music to Moog By. It was performed on the Moog synthesizer and released on the Audio Fidelity label. The name is a combination of pop for pop music and corn for kitsch. [3]
The track was driven by its deejay scratch style, performed primarily by DXT, and its music video created by Godley & Creme, featuring the robotic art of Jim Whiting, which was put in high rotation on MTV. "Rockit" won a Grammy Award for Best R&B Instrumental Performance in 1983, and it won five MTV Video Music Awards in 1984.