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Dhakaiya Urdu, sometimes referred to as Sobbasi Language [citation needed] or Khosbasi Language, [citation needed] is a Bengalinized dialect of Urdu that is native to Old Dhaka, Bangladesh. It is being spoken by the Sobbas or Khosbas community, Nawab Family and some other communities such as the Shia community of Old Dhaka.
The word amar refers to the possessive first-person singular ' my ' or ' (of) mine '; the word sonar is the adjectival form of the root word sona, meaning ' gold '; and the word sonar, which literally translates as ' golden ' or ' made of gold ', is used as a term of endearment meaning ' beloved ', but in the song, the words Sonar Bangla may be interpreted to express the preciousness of Bengal.
Notuner Gan" (Bengali: নতুনের গান [ˈnotuneɾ gan]; "The Youth Song"), more popularly known by its incipit as "Chol Chol Chol", [a] is the national march (Bengali: রণ-সঙ্গীত) of Bangladesh, [1] [2] whose lyrics and tune were written by national poet Kazi Nazrul Islam in 1928.
"Akti Bangladesh" - written by Noyeem Gahar and sung by Sabina Yasmin and Konok Chapa in different versions "Amar Desher Matir Gondhe" "Amar Shonar Bangla" - National anthem of Bangladesh, written by Rabindranath Tagore "Amar Vaier Rokte Rangano" - written by Abdul Gaffar Chowdhury and composed by Altaf Mahmud during 1952 Bengali language movement.
Notuner Gaan (Bengali: নতুনের গান, Natunēra gāna) is the national march (Bengali: রণ-সঙ্গীত) of Bangladesh. [10] This song was written by Kazi Nazrul Islam, the national poet of Bangladesh (also known as 'rebel poet'), in 1929.
Bengali was recognised as the second official language of Pakistan on 29 February 1956, and article 214(1) of the Constitution of Pakistan was amended to provide that "The state language of Pakistan shall be Urdu and Bengali." However, the military government formed by Ayub Khan made attempts to re-establish Urdu as the sole national language ...
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Nazrul's acquaintance with the tradition of Persian Ghazals, a form of love songs, was very significant in the sense that it paved the base of his successful efforts in composing Bengali Ghazals which he undertook by 1927–28. Bengali Ghazal is, it can be mentioned outright, an innovation by Kazi Nazrul Islam alone.