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Transformation masks are complex, intricately built masks designed to depict the dual nature of mythological beings. The Kwakwaka'wakw carried this art to its highest form. [ 15 ] The masks are used in dances, where the dancer may "open" the mask via a series of strings in order to reveal a second figure, usually a "human" mask concealed within ...
A domino mask is a small and (often) rounded mask covering only the area around the eyes and the space between them. The mask has seen special prevalence since the 18th century, when it became traditional wear in particular local manifestations of Carnival, particularly with Venetian Carnival, as part of a domino costume, which included the mask and a black cloak.
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
It's an eye mask and massager that provides targeted relief for migraines and eye strain. It offers heat, vibration, massage, compression, and even music to help provide a bit of sensory ...
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Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
The so-called 'Mask of Agamemnon', a 16th-century BC mask discovered by Heinrich Schliemann in 1876 at Mycenae, Greece, National Archaeological Museum, Athens The word "mask" appeared in English in the 1530s, from Middle French masque "covering to hide or guard the face", derived in turn from Italian maschera, from Medieval Latin masca "mask, specter, nightmare". [1]
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