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The women's faces’ are depicted like sculptures, giving them a marble feel within the painting, referencing African art along with the decorative patterning. The sculptural women are also conveyed with a sense of peacefulness. This shows how important basket weaving and dancing are to the Gullah people and their culture.
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
McCullough's work has been presented in several seminal exhibitions focussing on African American Women, most importantly: Forever Free: Art by African-American Women 1982–1980, an itinerant exhibition hosted by the Center for the Visual Arts Gallery, Illinois State University; the Joslyn Art Museum; the Montgomery Museum of Fine Arts; the Gibbes Art Gallery; The Art Gallery, University of ...
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas.
This category is for articles about African-American individuals who are notable because of their sculpture. This is a non-diffusing subcategory of Category:American sculptors . It includes sculptors that can also be found in the parent category, or in diffusing subcategories of the parent.
Elizabeth Catlett, born as Alice Elizabeth Catlett, also known as Elizabeth Catlett Mora (April 15, 1915 [1] – April 2, 2012) [3] [4] was an American and Mexican sculptor and graphic artist best known for her depictions of the Black-American experience in the 20th century, which often focused on the female experience.
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