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Noli me tangere, also known as Christ Appearing to Mary Magdalene in the Garden, is a c. 1525 [1] painting by Correggio which depicts the noli me tangere interaction between Jesus and Mary Magdalene shortly after the Resurrection. It is currently in the collection of the Museo del Prado in Madrid.
Caravaggio's Martha and Mary is dated to 1598–99, when he was in the entourage of Cardinal Francesco Maria Del Monte.Little is known of its history between those years and 25 June 1971, when its owners attempted to sell it at Christie's in London (lot 21).
Il Museo E La Cripta dei Frati Cappuccini, Palazzo Barberini: 130 × 90 cm Oil on canvas: c. 1610: John the Baptist: Rome, Borghese: 159 × 124 cm Oil on canvas: 1610: David with the Head of Goliath: Rome, Borghese: 125 × 101 cm Oil on canvas [21] 1610: John the Baptist: Munich, Private collection 159 × 124 cm Oil on canvas: 1610: Martyrdom ...
The evolution of Milanese painting was completed by Giovan Battista Discepoli, a pupil of Camillo Procaccini, whose painting was more influenced by Morazzone: he also showed a strong stylistic evolution; among his works are the canvases in the church of San Vittore al Corpo and the Adoration of the Magi, once in the demolished church of San ...
Francis McCracken, a well known Pre-Raphaelite patron, bought it in 1853 for £50 and the Tate Gallery purchased it in 1886. In February 2013 it was not on display. The painting was on display at the National Gallery of Australia from December 2018 to April 2019 as part of the ‘Love & Desire: Pre-Raphaelite Masterpieces from the Tate ...
Justice, Stanza della Segnatura, Raphael's Rooms, Vatican Palace, similar in dress, frame and angle of the head to Madonna of Loreto The painting is tender and intimate. The Child, just awakened, plays a game with the Madonna's veil, [4] with a melancholy [5] Saint Joseph looking on from the shado
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The Visitation is a c. 1517 painting of the Visitation of the Virgin Mary to Saint Elizabeth by Raphael, in the Prado Museum since 1837. [1] Commissioned by the Apostolic Protonotary Giovanni Branconio at his father Marino's request for their family chapel in the church of San Silvestre in Aquila (Marino's wife was called Elisabeth), it was plundered by the occupation troops of Philip IV of ...