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The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [3] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
Marion Harris (born Mary Ellen Harrison; March 25, 1897 – April 23, 1944) was an American popular singer who was most successful in the late 1910s and the 1920s.She was the first widely-known white singer to sing jazz and blues songs.
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Alberta Hunter (April 1, 1895 – October 17, 1984) was an American jazz and blues singer and songwriter from the early 1920s to the late 1950s. [ 1 ] [ 2 ] [ 3 ] After twenty years of working as a nurse, Hunter resumed her singing career in 1977.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The 1920s saw the emergence of many famous women musicians including African-American blues singer Bessie Smith (1894–1937), who inspired singers from later eras, including Billie Holiday (1915–1959) and Janis Joplin (1943–1970). [3] In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were ...
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Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.