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Cutting less important ones can make the plot summary tighter and easier to understand. Identify the significant story beats; often, briefly stating that the plot progresses from situation A to B rather than delineating how it gets there, i.e. skipping to the results of a sequence or even entire subplot, is a practical rule of thumb for staying ...
Occasionally, you'll find excessively detailed plot summaries that overwhelm readers with a summary of every scene. In this case, it's frequently best to rewrite the plot summary from scratch. If you come upon a plot summary of around 800 to 900 words, it's frequently possible to streamline it such that you lose no significant information.
Wikipedia articles concerning fiction frequently feature overly long or excessively detailed plot summaries. While any plot section can be trimmed, it can be hard to know what to cut if one hasn't consumed the relevant media, while those who have might be tempted to explain any intricacy that arises to give the reader the full experience of the show.
Plot summaries for feature films should be between 400 and 700 words. The summary should not exceed this range unless the film's structure is unconventional, such as with non-linear storylines, or unless the plot is too complicated to summarize in this range. Discuss with other editors to determine if a summary cannot be contained within the ...
For example, a summary of Citizen Kane should establish that much of the film is an extended flashback that is bookended by scenes in the film's present; the entire plot summary should still be written in narrative present tense. Summaries may depart from the fiction's chronological order if doing so enhances clarity or brevity.
These films seem to be downplaying the otherwise popular superhero names, so if we are to go with option 2 we should consider whether the plot summary should reflect what's common within the scope of the movie or within the broader culture. — Ƶ§œš¹ [lɛts b̥iː pʰəˈlaɪˀt] 17:22, 30 August 2018 (UTC)
The coverage of a fictional work should not be a mere plot summary. A summary should facilitate substantial coverage of the work's real-world development, reception, and significance. This means that an article about a work of fiction or elements from such works should not solely be a summary of the primary and tertiary sources , they should ...
Sections of long articles should be spun off into their own articles, leaving summaries in their place. Summary sections are linked to the detailed article with a {{Main|name of detailed article}} or comparable template. To preserve links to the edit history of the moved text, the first edit summary of the new article links back to the original.