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Spider-Man: Music from and Inspired by is a 2002 soundtrack album for the film Spider-Man. Although it contains a portion of the film score by Danny Elfman , a more complete album of Elfman's work was released as Spider-Man: Original Motion Picture Score .
The funky song opens with a drum machine beat, adds guitar, live playing on the cymbals, and finally the bass and keyboards. A similar extended version of this occurs after the main lyrics, but starts with the bass and also includes a lengthy rock guitar solo. The bass is truly the "star" of this song, and Prince has remarked that this is one ...
The soundtrack for the 2018 American animated superhero film Spider-Man: Into the Spider-Verse, based on the Miles Morales incarnation of the Marvel Comics character Spider-Man and produced by Sony Pictures Animation, consists of a soundtrack featuring original songs written for and inspired by the film and an original score composed by Daniel Pemberton.
The song was featured in the closing credits of 2004's Spider-Man 2 and went on to become one of Bublé's first singles. Which actually worked against the singer initially.
By November 2020, Spider-Man composer Michael Giacchino was set to return for No Way Home. [97] The film score was released on December 17, 2021. [98] The soundtrack also features music from previous Spider-Man soundtracks by other film composers including Hans Zimmer, James Horner and Danny Elfman, as well as Giacchino's theme for Doctor Strange.
Fresh off announcing a July 12 release date for his upcoming album “The Death of Slim Shady (Coup De Grâce),” Eminem is showing love for his hometown with his new single “Tobey” featuring ...
Several songs are featured in the film that are absent from the soundtrack album, including "I Zimbra" by Talking Heads, "Native New Yorker" by Odyssey, "Scraper" by Liquid Liquid, "No Sleep 'Til Brooklyn" by Beastie Boys, "Concerto for 2 Violins in G major, RV 516" by Antonio Vivaldi, "Deck the Halls" by Thomas Oliphant, and "The Magic Number" by De La Soul.
The song was a cross-genre hit in mid-2002, peaking at number one on the Billboard Modern Rock and Mainstream Rock charts, number three on the Billboard Hot 100, and also winning considerable airplay at pop radio, peaking at number two and five, respectively, on the Mainstream Top 40 and Adult Top 40 charts.