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Closely associated art forms are projectors, 3-D projection, multi-media, video art, and photography where light technology projects images rather than using light as the medium. Large light festivals and events have helped to develop the use of light on large canvases such as architectural facades, building projections, the flood lighting of ...
The Google Art Project was a development of the virtual museum projects of the 1990s and 2000s, following the first appearance of online exhibitions with high-resolution images of artworks in 1995. In the late 1980s, art museum personnel began to consider how they could exploit the internet to achieve their institutions' missions through online ...
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
The historian John I. H. Baur identified the style in the late 1940s, calling it "luminism" in a 1954 article. [5] The National Gallery of Art's landmark 1980 exhibition American Light: The Luminist Movement, 1825-1875 included many artists now primarily associated with the Hudson River School, such as Frederic Edwin Church. [6]
University of Michigan Museum of Art [23] Figure in a coat : Figure au manteau: 1935 Charcoal Canberra: NGA: Gertrude Bell: 1936 Brush and pencil on paper 14 × 22 cm Las Vegas: Private collection: Untitled (Female Head) 1936 Pen and black ink on light cream wove paper 50.01 cm x 31.75 cm Ann Arbor University of Michigan Museum of Art [24 ...
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Raking light across a wall, gives a relief like impression. Sunlight at a narrow angle, flowers in the window cast long shadows on an inner wall. Raking light, the illumination of objects from a light source at an oblique angle or almost parallel to the surface, provides information on the surface topography and relief of the artefact thus lit.
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