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Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". [2] African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
The crown's surface includes the remains of both red and black paint. The lifelike rendering of sculptures from medieval Ife is exceptional in Sub-Saharan African art, and initially was considered the earliest manifestation of a tradition that continued in Yoruba art, in early Benin art and other pieces.
In the period around 1300 CE the artists at Ife developed a refined and naturalistic sculptural tradition in terracotta, stone and copper alloy—copper, brass, and bronze— many of which appear to have been created under the patronage of King Obalufon II, the man who today is identified as the Yoruba patron deity of brass casting, weaving and regalia. [3]
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
In 2020, Nigerian art historian Okeke-Agulu called on auction house Christie's to cancel its planned Paris sale of two Igbo sculptures and repatriate the items in question back to Nigeria. The two sculptures were bundled together with a Benin plaque. Some have speculated the two sculptures were sold by Biafran soldiers during the Nigerian Civil ...
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Before the Berlin Conference of 1885, traders and explorers to Africa purchased or stole art as souvenirs and curios, [4] spreading beyond the coast; ivory objects made along African coasts had been collected for centuries, and many were made by Africans for purchase by Europeans, mainly in areas reached by the Portuguese, such as the Afro-Portuguese ivories.
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