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The painting depicts an apathetic Parisian demi mondaine having a bath. Above the tub there are, fixed to the wall, a swan-shaped tap and a white fixture in the shape of a shell. Instead of holding a bath brush, the model holds two white roses in her right hand, which crosses her body and leans against the tub's side.
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
Woman at Her Toilet, early 16th-century copy by an unknown Netherlandish artist, 27.2 x 16.3 cm. Harvard Art Museums/Fogg Museum, MA.. Woman Bathing (or Woman at Her Toilet, sometimes Bathsheba at Her Toilet) is a lost early 15th century panel painting by the Early Netherlandish artist Jan van Eyck.
Giovanni Bellini (c. 1430 – 26 November 1516) [1] was a Venetian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini (who was more highly regarded than Giovanni during his lifetime, although the reverse is true today), and his brother-in-law was Andrea Mantegna.
The painting's title reflects the predominant use of blue shades throughout the painting. The image of the woman's bedroom is particularly notable, as it offers some insight into Picasso's own living quarters at the time. The setting for this painting was Picasso's own studio apartment, situated at 130 boulevard de Clichy.
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