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Africa: Head, Sydney W. Broadcasting in Africa: a continental survey of radio and television at Google Books (1974); Ziegler, Dhyana. Thunder and silence: the mass media in Africa, p. 160–182, at Google Books (1992) Arab world: Boyd, Douglas A. Broadcasting in the Arab world: a survey of radio and television in the Middle East at Google Books ...
The timeline of radio lists within the history of radio, the technology and events that produced instruments that use radio waves and activities that people undertook. Later, the history is dominated by programming and contents, which is closer to general history .
The early history of radio is the history of technology that produces and uses radio instruments that use radio waves. Within the timeline of radio, many people contributed theory and inventions in what became radio. Radio development began as "wireless telegraphy". Later radio history increasingly involves matters of broadcasting.
The African Historical Review is a biannual peer-reviewed academic journal covering the history of Africa. It was established in 1969 as Kleio: A Journal of Historical Studies from Africa and obtained its current title in 2007. It is published by Routledge in collaboration with UNISA Press.
Africa's triple heritage, as envisioned by Mazrui and promoted in this documentary project, is a product resulting from three major influences: (1) an indigenous heritage borne out of time and climate change; (2) the heritage of eurocentric capitalism forced on Africans by European colonialism; and (3) the spread of Islam by both jihad and evangelism.
His most recent short documentary on African material culture in museums is entitled Decolonizing the Narrative: Africa Galleries from Maker to Museum (2020). The first in a series of 3 short documentaries, Africa Galleries from Maker to Museum, is a 33-minute exploration of the debates about Museums, Reparations; Restitution; and Race.
The New York Times praised the series, but said it would have been good if it made more connections between the civilizations of the past and modern Africa. [6] Multifaith website Spirituality & Practice called the series "ambitious and poignant;" [7] while the UK Independent called it "Endlessly enthralling and tremendously dramatic." [8]
Even though the state-controlled South African Broadcasting Corporation (SABC) held a virtual monopoly on radio broadcasting, it viewed the new medium as a threat to Afrikaans and the Afrikaner volk, fearing it would give undue prominence to English and create unfair competition for the Afrikaans press.