enow.com Web Search

Search results

  1. Results from the WOW.Com Content Network
  2. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    A secondary dominant (also applied dominant, artificial dominant, or borrowed dominant) is a major triad or dominant seventh chord built and set to resolve to a scale degree other than the tonic, with the dominant of the dominant (written as V/V or V of V) being the most frequently encountered. [5]

  3. Triad (music) - Wikipedia

    en.wikipedia.org/wiki/Triad_(music)

    Types of triads: I ⓘ, i ⓘ, i o ⓘ, I + ⓘ In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds. [1] Triads are the most common chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: [1] the root

  4. Parallel and counter parallel - Wikipedia

    en.wikipedia.org/wiki/Parallel_and_counter_parallel

    For example, the secondary triad on the sixth degree [submediant] of the scale of C major, a-c-e, or rather c-e-a, is a Tonic 'parallel,' and has a Tonic significance, because the chord represents the C major 'klang,' into which the foreign note a is introduced.

  5. Leading-tone triad - Wikipedia

    en.wikipedia.org/wiki/Leading_tone

    A leading-tone triad (beat 4) and secondary leading-tone triad (beat 6) in the first phrase of the Bach chorale "Gott der Vater, wohn' uns bei" (slightly simplified) [14] Some sources say the chord is not a chord; some argue it is an incomplete dominant seventh chord, especially when the diminished triad is written in its first inversion ...

  6. Second inversion - Wikipedia

    en.wikipedia.org/wiki/Second_inversion

    The second inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of the chord are a fourth apart which traditionally qualifies as a dissonance. There is therefore a tendency for movement and resolution.

  7. Tonicization - Wikipedia

    en.wikipedia.org/wiki/Tonicization

    V of V in C, four-part harmony Secondary leading-tone chord: vii o 7 /V - V in C major. This may also be considered an altered IV 7 (FACE becomes F ♯ ACE ♭). [1]In music, tonicization is the treatment of a pitch other than the overall tonic (the "home note" of a piece) as a temporary tonic in a composition.

  8. Dying To Be Free - The Huffington Post

    projects.huffingtonpost.com/dying-to-be-free...

    Responses are left blank for states that did not respond to the survey, answer all survey questions or fully document Medicaid benefits on secondary sources such as websites. The squeeze of regulation has left the door open for more opportunistic forces, such as cash-only clinics and shady doctors.

  9. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    The diminished triad can be used to substitute for the dominant seventh chord. In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad.