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When bands like the Balfa Brothers, Octa Clark and Hector Duhon, and the black Creole band Bois-Sec Ardoin and Canray began to appear and perform at prestigious national folk festivals like the Newport Folk Festival, the University of Chicago Folk Festival, and the National Folklife Festival, they inspired renewed interest in Louisiana in Cajun ...
The first commercial recording of Cajun music, "Lafayette (Allon au Laufette)," was made by Joe Falcon and his future wife Cléoma Breaux for Columbia Records on April 27, 1928. [7] A number of the most prominent traditional Cajun musicians are featured in the 1989 documentary J'ai Été Au Bal .
This is a list of notable Cajun musicians, Cajun music instrument makers, Cajun music folklorists, Cajun music historians, and Cajun music activists.
The recordings with Courville and Frugé are among the few surviving examples of Cajun music as it existed before the influence of the accordion became prominent. McGee's repertoire included not only the waltz and the two-step common to Cajun music but also such dances as the one-step, polka, mazurka, reel, cotillion, the varsovienne, and others.
"Louisiana Cajun Music Volume 1: First Recordings – The 1920s" (OT 108 Old Timey Records, 1970) "Louisiana Cajun Music Volume 1 & 2 The First Recordings 1928–34" (C-213 Arhoolie Records , 1984) "Louisiana Cajun And Creole Music, 1934 : The Lomax Recordings" (LP-8003-2 Swallow Records , 1987)
Leo Soileau (January 19, 1904 – August 2, 1980) [1] [2] [3] was one of the most prolific Cajun recording artists of the 1930s and 1940s, recording over 100 songs, which was a substantial amount considering the reluctance to record the music during its early stages. He is known as the second person to record a Cajun record and the first to ...
Amadé Ardoin – Louisiana Cajun Music Vol. 6 : Amadé Ardoin – The First Black Zydeco Recording Artist (1928–1938) (OT-124 Old Timey Records, 1983) Pioneers of Cajun Accordion 1926–1936 (LPOT128 Old Timey / Arhoolie, 1989) I'm Never Comin Back: Roots of Zydeco (ARH7007 Arhoolie, 1995)
The recording, "Allons à Lafayette" was released in 1928, and opened the way for other commercial releases of Cajun music. Aside from being a ground-breaking recording artist, Cléoma Breaux also was one of the few women to perform live, despite the social standards of the era. She was the first woman inducted into the Cajun Music Hall of Fame ...
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