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Chúng tôi muốn sống (We Want To Live) Vĩnh Noãn, Manuel Conde: Lê Quỳnh, Mai Trâm, Nguyễn Long Cương, Nguyễn Đức Tạo: Feature Film: Produced in South Vietnam and were screened to the public for free circa 1956 1958: The Quiet American: Joseph L. Mankiewicz: Audie Murphy, Michael Redgrave, Giorgia Moll: English Feature Film
The name of the movie Song Lang is taken from the name of a musical instrument that controls the rhythm in cai luong, don ca tai tu and ca Hue, carrying many concepts not only on stage but also in the spiritual life of the artist. [1] [2] The phrase "song lang" in the work is also subtly inserted by the director to refer to the two men.
The cinema of Vietnam originates in the 1920s and was largely influenced by wars that have been fought in the country from the 1940s to the 1970s.. Some proclaimed Vietnamese language-films include Cyclo, The Scent of Green Papaya and Vertical Ray of the Sun, all by Tran Anh Hung, challenged the war-torn depiction of Vietnam at the time. [5]
Vietnamese black-and-white films (1 P) F. Films set in Vietnam (2 C, 69 P) Films shot in Vietnam (59 P) I. Vietnamese independent films (3 P) S.
Despite the film being financed and produced in France, Hùng asked permission to represent Vietnam instead—it uses mainly Vietnamese language and the characters are portrayed by Vietnamese actors. [4] [5] It is the only Vietnamese film to secure a nomination, and was the first nomination received by a Southeast Asian country in the category.
Furie (Vietnamese: Hai Phượng) is a 2019 Vietnamese martial arts film directed by Le-Van Kiet. It stars Veronica Ngo , Cát Vy, Phan Thanh Nhiên, Phạm Anh Khoa and Trần Thanh Hoa. Furie was released on 22 February 2019 in Vietnam and was released on 1 March 2019 in the United States, where it received positive reviews from critics with ...
Mai (stylized as: MɅI) is a 2024 Vietnamese romantic drama film directed by Tran Thanh. [4] By March 1, 2024, after 20 days of release, the film officially grossed over 500 billion VND, becoming the highest-grossing film in Vietnamese box office history. [5]
Films that portrayed the "psycho vet" archetype mostly took place in the United States and the victims of the "psycho vet" were usually his fellow Americans rather than the Vietnamese. [2] (B-movies that feature Vietnam veterans with an emphasis on action, violence, and revenge, belong into the exploitation subgenre called "vetsploitation."