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The history of the term and its permutations in cinema, literature, legal studies, psychology, sociology, and history is the subject of a 2015 multi-author volume edited by Blair Davis, Robert Anderson and Jan Walls, titled Rashomon Effects: Kurosawa, Rashomon and their legacies. [3]
Multiperspectivity (sometimes polyperspectivity) is a characteristic of narration or representation, where more than one perspective is represented to the audience. [1]Most frequently the term is applied to fiction which employs multiple narrators, often in opposition to each-other or to illuminate different elements of a plot, [1] creating what is sometimes called a multiple narrative, [2] [3 ...
In one study, [13] observers were instructed to look at short movies involving changes in point of view. They used 15 movie clips featuring a handbag, whose properties (color, position, identity, and shape) were manipulated across cuts. Observers' reactions were recorded by examining eye-movement, changes in behavior and memory performance.
James Eric Cutting is an American cognitive scientist and researcher. He is the Susan Linn Sage Professor emeritus in the Department of Psychology at Cornell University.He is known most recently for his research studying how the structure of movies in American cinema has evolved over the years, [1] in terms of physical attributes and narratives. [2]
Theories of media exposure study the amount and type of Media content an individual is exposed to, directly or indirectly. The scope includes television shows, movies, social media, news articles, advertisements, etc. [ 1 ] Media exposure affects both individuals and society as a whole.
Smallville, in 2003 (Season 2, Episode 13; "Suspect"), depicts the mystery of who attempted the murder of Lionel Luthor with contradictory flashbacks from multiple perspectives. Virumaandi, a 2004 Tamil-language film written, directed and produced by Kamal Haasan,depicts an incident in view of two prisoners, Virumaandi thevar and Kothala thevar.
The Payne Fund Studies were a series of thirteen studies conducted over a four-year period from 1929 to 1933, and later published between 1933 and 1936 which aimed to determine the effects of movies on the behaviour of children and adolescents. [1]
This includes the literature on selective processes, media use and some aspects of cultural studies. The third see the audiences as a mass with its own dynamics apart from the individuals who constitute the mass. This perspective is often rooted in economics, marketing, and some traditions in sociology. Each approach to audience theory is ...