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The book would also explore the concept of androgyny, along with its links to the anti-essentialism of the French school. [ 7 ] Sexual/Textual Politics was followed by further explorations of contemporary French feminists such as Julia Kristeva , before Moi turned to her ground-breaking 1994 study of Simone de Beauvoir . [ 8 ]
Nonetheless, in practice the French women's movement developed in much the same way as the feminist movements elsewhere in Europe or in the United States: French women participated in consciousness-raising groups; demonstrated in the streets on the 8 March; fought hard for women's right to choose whether to have children; raised the issue of ...
The Second Sex (French: Le Deuxième Sexe) is a 1949 book by the French existentialist philosopher Simone de Beauvoir, in which the author discusses the treatment of women in the present society as well as throughout all of history.
She defines the Logic of Antilove as the self-hatred women have noting that, "they have made for women an antinarcissism! A narcissism which loves itself only to be loved by what women haven't got." [2] This idea persecutes women by defining them by what misogynistic tradition believes makes the female sex inferior. Cixous commands women to ...
The government and other organizations have attempted to implement language feminization in the realms of policy making, teaching, advertising, etc. [22] Feminization of language refers to when in writing or talking traditional male words are feminized by either using the feminine variant of the word or adding a feminine suffix. [23]
“The masculine dominates the feminine in the French language; if all the women in the world were accompanied by a dog, they would be constrained, these women and dogs, to be addressed in the masculine form, since women and dogs are obedient.” [11] Asked whether her writing is feminine, she replies:
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
In the 1970s, French writers approached feminism with the concept of écriture féminine (which translates as female, or feminine writing). [28] Hélène Cixous argues that writing and philosophy are phallocentric and along with other French feminists such as Luce Irigaray emphasize "writing from the body" as a subversive exercise. [28]