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[70] Hadlock observes that although the best-known music in the opera is "driven by the propulsive energies of Rossinian comedy" and the up-tempo galop, such lively numbers go side by side with statelier music in an 18th-century vein: "The score's sophistication results from Offenbach's intertwining of contemporary urban musical language with a ...
Song of Songs, cantata for soprano or mezzo-soprano and orchestra (1946); Biblical text For Cornelia , song for voice and piano (1955); text by William Butler Yeats Time Cycle , 4 songs for soprano and orchestra (1959–1960); version for soprano, clarinet, cello, celesta, percussion (1960); texts by W. H. Auden , A. E. Housman , Franz Kafka ...
Orpheus, the Greek hero whose songs could charm both gods and wild beasts and coax the trees and rocks into dance, has achieved an emblematic status as a metaphor for the power of music. [1] The following is an annotated list of operas (and works in related genres) based on his myth.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Voice types are indicated by clef markings for each singer's part. These are generally interpretable in terms of soprano, alto, tenor and bass roles. Roles are frequently doubled, e.g. La musica and Eurydice, Ninfa and Prosperina, La messagera and Speranza, and others. [5] La musica (Music) (soprano, originally castrato) Orfeo (Orpheus)
Cello Concerto No. 1 (1979) (Carl Fischer Music) Cello Concerto No. 2 for cello and 15 strings (1997) (Carl Fischer Music) Elliott Carter. Cello Concerto (2000) Robert Casadesus. Cello Concerto (1947) André Casanova. Cello Concerto (1983) Alfredo Casella. Cello Concerto (1934–35) [4] Philip Cashian. Concerto for cello and Strings (2012) John ...
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