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Not only the musical forms, but the individual tunes of the Catholic Church were replaced by reformers, although there was often a close relation between the original and the replacement. Composers, including Martin Luther himself, both composed new tunes for the German chorale texts and adapted specific plainchant melodies. These chorales were ...
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
Siionin virret ("Hymns of Zion") is a hymnbook of the Finnish Awakening religious revival movement (Herännäisyys). The hymnal is used in the traditional conventicle 'seurat' which is an informal religious gathering taking often place in homes. Hymns of Zion are also sung in the religious summer festival 'Herättäjäjuhlat' of the Awakening ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
The group today performs a variety of gospel music styles, including a capella spirituals and traditional hymns, as well as R&B- inspired church rockers. [5] Their performances at the New Orleans Jazz & Heritage Festival have led to tours in Canada, [10] Switzerland, the Netherlands, Italy, and Austria, [13] Belgium, Germany, France, and ...
Songs of Zion; Deseret Sunday School Songs; In 1927, the church's Music Committee decided to combine the best of the first three of these hymnals into one volume. The result was called Latter-day Saint Hymns, though it was commonly called "the green hymnbook". It contained 419 hymns, of which 128 still survive in the church's 1985 hymnal.
The church cantata is based on Martin Luther's 1524 hymn " Ach Gott, vom Himmel sieh darein", a paraphrase of Psalm 12. In the format of Bach's chorale cantata cycle, the words of the hymn are retained unchanged only in the outer movements, while an unknown contemporary librettist paraphrased the inner stanzas for recitatives and arias.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."