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Nowhere to Go is a 1958 British crime film directed by Seth Holt in his directorial debut. [4] It stars George Nader , Maggie Smith (receiving her first screen credit), Bernard Lee , Harry H. Corbett and Bessie Love . [ 5 ]
He is best known for the novels Nowhere Man (2002) and The Lazarus Project (2008), and his scriptwriting as a co-writer of The Matrix Resurrections (2021). He frequently publishes in The New Yorker and has also written for Esquire, The Paris Review, the Op-Ed page of The New York Times, and the Sarajevo magazine BH Dani.
He experienced childhood trauma since his father was an alcoholic, often violent towards him and his mother. In the midst of this chaos, Finley was impressed by his mother's Roman Catholic faith and immersed himself in it. At age 14, he discovered a book by Thomas Merton called The Sign of Jonas, and felt called to
The March is set in late 1864 and early 1865 near the conclusion of the American Civil War.Central to the novel is the character of General William Tecumseh Sherman as he marches his 60,000 troops through the heart of the South, from Atlanta to Savannah, carving a 96 km (60-mile)-wide scar of destruction in their wake.
Everywhere and Nowhere is a 2011 coming of age British drama film focusing on the identity struggles of Ash (James Floyd), a young British Pakistani who is torn between the traditions of middle-class family life and his passion for his work as a disc jockey. The film comes from Kidulthood director Menhaj Huda.
Director Josephine Decker's "The Sky Is Everywhere," a teen romance based on the YA novel, stars Grace Kaufman, Cherry Jones and Jason Segel.
Hell Hath No Fury (1953), one of Williams's novels.. Williams's work is identified with the noir fiction subgenre of "hardboiled" crime writing.His 1953 novel Hell Hath No Fury—-published by the defining crime fiction company, Gold Medal Books—-was the first paperback original to merit a review from renowned critic Anthony Boucher of The New York Times.
After the death of her older sister, a shy teen navigates grief and stumbles into self-discovery in Josephine Decker’s adaptation of Jandy Nelson’s YA novel.