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The ode begins with a priamel, where the rival distinctions of water and gold are introduced as a foil to the true prize, the celebration of victory in song. [7] Ring-composed, [8] Pindar returns in the final lines to the mutual dependency of victory and poetry, where "song needs deeds to celebrate, and success needs songs to make the areta last". [9]
The third Olympian celebrates the same victory as the second (that of 476), but, while the former Ode was probably sung in the palace of Theron, the present was performed in the temple of the Dioscuri at Acragas, on the occasion of the festival of the Theoxenia, when the gods were deemed to be entertained by Castor and Polydeuces. [1]
The tyrant of Himera appealed to his son-in-law Anaxilas, tyrant of Rhegium, who called in the aid of the Carthaginians, whom Theron and his son-in-law, Gelon of Syracuse, defeated at Himera in 480. [1] In 476 Theron won the chariot-race at Olympia, which is celebrated in this ode. [1] The date is recorded in the Oxyrhynchus papyrus. [2] [1]
Praise of the trainer, Melesias of Athens (53–66). [3] The victor's triumph will rejoice the heart of his grandfather (67–73); six victories have already been won by the family (74–76). [ 3 ] The message sending news of this victory will reach his father and his uncle in the other world (77–84). [ 3 ]
Zeus, the Thunderer, is invoked, Zeus whose daughters, the Seasons, had sent the poet to witness the Olympic games (1–3). [1] Men of worth are gladdened by the prosperity of their friends (4, 5). [1] May Zeus graciously welcome the chorus that celebrates the present triumph of Psaumis, and answer his further prayers (6–13). [1]
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Soon he was competing with Pindar for commissions from the leading families of Aegina and, in 476 BC, their rivalry seems to have reached the highest levels when Bacchylides composed an ode celebrating Hieron's first victory at the Olympian Games (Ode 5). Pindar celebrated the same victory but used the occasion to advise the tyrant of the need ...