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"Blue Skies" is a popular song, written by Irving Berlin in 1926. "Blue Skies" is one of many popular songs whose lyrics use a "bluebird of happiness" as a symbol of cheer: "Bluebirds singing a song/Nothing but bluebirds all day long." The sunny optimism of the lyrics are undercut by the minor key giving the words an ironic feeling.
F-flat major (or the key of F-flat) is a theoretical key based on F ♭, consisting of the pitches F ♭, G ♭, A ♭, B double flat, C ♭, D ♭, and E ♭. Its key signature has eight flats, requiring one double flat and six single flats. [1] The F-flat major scale is:
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
F-flat may refer to: F-flat major; F-flat minor, enharmonic to E minor; The musical pitch F ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...