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Vaikuntha (Sanskrit: वैकुण्ठ, romanized: Vaikuṇṭha, lit. 'without anxiety'), [1] also called Vishnuloka (Viṣṇuloka), and Tirunatu (Tirunāṭu) in Tamil, [2] is the abode of Vishnu, [3] the supreme deity in the Vaishnava tradition of Hinduism, [4] [5]: 17 and his consort, Lakshmi, the supreme goddess of the sect.
The chaturvimshatimurti are all represented as standing and holding the four attributes of Vishnu: the Sudarshana Chakra (discus), Panchajanya (conch), Kaumodaki (mace), and Padma (lotus). Symbolising the deity's different visible forms, the only difference between these images is the order of the emblems held by his four hands . [ 5 ]
[83] The text equates Vishnu to all knowledge there is (Vedas), calling the essence of everything as imperishable, all Vedas and principles of universe as imperishable, and that this imperishable which is Vishnu is the all. [83] Vishnu is described to be permeating all object and life forms, states S. Giora Shoham, where he is "ever-present ...
Vishnu found Shiva and explained the whole affair to him. Shiva asked if he too could see Vishnu in this female form. When Vishnu appeared thus, Shiva was overcome with passion, and the two engaged in intercourse. The two gods thus became "Harihara Murthi", that is, a composite form of Shiva and Vishnu as one god.
The deity Vishnu, addressed in these poems, is also exalted in Sanskrit myth and epic. In this poem, Vishnu is himself a symbol of the coalescence between Tamil and Sanskrit literatures. Nammalvar's poems are addressed to Tirumal or Mayon, "the dark one," the god of the mullai landscape and of Sangam poems, identified with Vishnu. Sanskrit ...
The third hymn of the Tirunetuntantakam describes the Kurma incarnation of Vishnu during the Samudra Manthana: [9] The dark blue-hued lord is a picture of auspiciousness. In each age he takes a different form, suited to that age. In the Tretayuga he took the huge form of a tortoise to churn ambrosia from the ocean.
Vaishnavism is centred on the devotion of Vishnu and his avatars. According to Schweig, it is a "polymorphic monotheism, i.e. a theology that recognises many forms (ananta rupa) of the one, single unitary divinity," since there are many forms of one original deity, with Vishnu taking many forms. [78]
In the Gaudiya Vaishnava tradition, Hari is a name of both Krishna and Vishnu, invoked in the Hare Krishna mahamantra (Hare could be a vocative form of Hari). The Hari Stuti is a hymn in praise of Vishnu composed by Adi Shankara. The Hari Stotra is a Sanskrit hymn. Hari Om is a mantra and greeting.