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No. 3, the first piece after the two seven-movement Partitas, is a Minuet in F major by an unknown composer (likely not Bach), adopted as No. 113 in the second annex (German: Anhang, Anh.), that is the annex of doubtful compositions, in the Bach-Werke-Verzeichnis (BWV). Petzold's Minuets in G major and G minor, BWV Anh. 114 and 115, are the ...
Christian Petzold (1677 – 1733) was a German composer and organist. He was active primarily in Dresden, and achieved a high reputation during his lifetime, but his surviving works are few. It was established in the 1970s that the famous Minuet in G major, previously attributed to Johann Sebastian Bach, was in fact the
Stylistically refined minuets, apart from the social dance context, were introduced—to opera at first—by Jean-Baptiste Lully, who included no fewer than 92 of them in his theatrical works [2] and in the late 17th century the minuet was adopted into the suite, such as some of the suites of Johann Sebastian Bach and George Frideric Handel.
Minuet in G Major, No. 4 of Five Minuets with Six Trios, D 89 for string quartet by Franz Schubert Minuet in G (Paderewski) , Op. 14/1 by Ignacy Jan Paderewski Topics referred to by the same term
The Minuet in G, Op. 14/1, is a short piano composition by Ignacy Jan Paderewski, which became world-famous, overshadowing his more major works such as the Symphony in B minor "Polonia", the Piano Concerto in A minor, and the opera Manru. The minuet was written in 1887, the first of six pieces making up his Humoresques de concert, Op. 14. The ...
The minuet is in incipient ternary form, A-A-B-A, a type of song form as differentiated from other, such as the binary song form in the format A-B, the ternary A-B-A, or the rondo, A-B-A-C-A or an alternate form but with the "A" theme repeating after each new theme in the sequence of themes.
Bach and Alkan chose C# major, but most composers have preferred D♭ major or D♭ major: 5 flats 4 C# minor: 4 sharps 5 D major: 2 sharps 6 D minor: 1 flat 7 E♭ major: 3 flats 8 Either D# minor: 6 sharps Most composers of sets of 24 pieces have preferred E♭ minor over D# minor. Bach, Lyapunov and Ponce are among the few who have used D#.
The Baroque composer Arcangelo Corelli (1653–1713) Chronological lists of classical composers list composers of classical music in chronological order, either organized by era or style, or by nationality.