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This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2023) (Learn how and when to remove this message) The Chandos portrait, commonly assumed to depict William Shakespeare but authenticity unknown, "the man who of all Modern, and perhaps Ancient Poets, had ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Stanley Wells, 2016: "His plays give us the greatest sense of the value of human life; of how people live; of how people love and of the importance of human relationships than any other writers of his time or of any other time. Shakespeare’s plays are as popular as they are because he was perhaps the greatest writer who has ever lived." [10]
Chronicle plays—history-plays based on the chronicles of Polydore Vergil, Edward Hall, Raphael Holinshed and others—enjoyed great popularity from the late 1580s to c. 1606. By the early 1590s they were more numerous and more popular than plays of any other kind. [40]
The play was printed in quarto twice in 1609 by the stationer Henry Gosson. Subsequent quarto printings appeared in 1611, 1619, 1630, and 1635; it was one of Shakespeare's most popular plays in his own historical era.
The play was entered into the Register of the Stationers Company on 25 Feb. 1598 and first printed in quarto later that year by stationer Andrew Wise. The play was Shakespeare's most popular printed text: new editions appeared in 1599, 1604, 1608, 1613, 1622, 1632, 1639, and 1692.
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Shakespeare's work is also lauded for its insight into emotion. His themes regarding the human condition make him more acclaimed than any of his contemporaries. Humanism and contact with popular thinking gave vitality to his language. Shakespeare's plays borrowed ideas from popular sources, folk traditions, street pamphlets, and sermons.