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Jean-Baptiste Poquelin (French: [ʒɑ̃ batist pɔklɛ̃]; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (UK: / ˈ m ɒ l i ɛər, ˈ m oʊ l-/, US: / m oʊ l ˈ j ɛər, ˌ m oʊ l i ˈ ɛər /; [1] [2] [3] French:), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature.
Frontispiece and title page of Le Bourgeois gentilhomme from a 1688 edition. Le Bourgeois gentilhomme (French pronunciation: [lə buʁʒwa ʒɑ̃tijɔm], translated as The Bourgeois Gentleman, The Middle-Class Aristocrat, or The Would-Be Noble) is a five-act comédie-ballet – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before ...
Molière performed his first version of Tartuffe in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/Les fêtes des plaisirs de l'ile enchantée), King Louis XIV suppressed it, probably under the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, the King's ...
The title page of the original manuscript. Monsieur de Pourceaugnac is a three-act comédie-ballet—a ballet interrupted by spoken dialogue—by Molière, first presented on 6 October 1669 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors.
The Misanthrope, or the Cantankerous Lover (French: Le Misanthrope ou l'Atrabilaire amoureux; French pronunciation: [lə mizɑ̃tʁɔp u latʁabilɛːʁ amuʁø]) is a 17th-century comedy of manners in verse written by Molière.
Les Femmes savantes (engraving by Moreau le jeune). Les Femmes savantes (French pronunciation: [le fam savɑ̃t], The Learned Ladies) is a comedy by Molière in five acts, written in verse.
The Los Angeles Times called the film "an interesting exhibit of the limits to which moving picture making can be carried in the hands of experts equipped with time and money to carry out their devices". [28] Prints of the film survive in the film archives of the British Film Institute and the U.S. Library of Congress. [29]
Harpagon and La Flèche in a German production of The Miser, 1810 Harpagon Molière The tyrannical father of Cléante and Élise Harpagon is a sexagenarian bourgeois miser whose love for his cash box exceeds that for his children.