Search results
Results from the WOW.Com Content Network
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
God of the seas, water, storms, hurricanes, earthquakes and horses. The middle son of Cronus and Rhea. Brother of Zeus and Hades. Married to the Nereid Amphitrite; although, as with many of the male Greek gods, he had many lovers. His symbols include the trident, horse, bull, and dolphin. Demeter: Ceres
Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background. Key: Dotted lines show a marriage or affair. Key: Solid lines show children.
Poseidon, god of the sea and earthquake, brother of Zeus. Curses Odysseus. Scamander, river god who fought on the side of the Trojans during the Trojan War; Thetis, a sea nymph or goddess. Mother of Achilles, wife of Peleus. Zeus, king of the gods, brother of Poseidon and Hera and father of Athena, Aphrodite, Ares, and Apollo. [1] [2] [3]
Ningishzida, a god of the underworld who like his father Ninazu could be portrayed as a warrior; Ninurta, warrior god; Pabilsag, warrior god and husband of Ninisina; Pap-nigin-gara, a war god syncretised with Ninurta; Sebitti, group of minor war gods best attested in Assyria; Shara, minor Sumerian god of war; Tishpak, a warrior god from Eshnunna
Deities of Greek mythology who are associated with war. Subcategories. This category has the following 5 subcategories, out of 5 total. ...
In Renaissance and Neoclassical works of art, Ares's symbols are a spear and helmet, his animal is a dog, and his bird is the vulture. In literary works of these eras, Ares is replaced by the Roman Mars, a romantic emblem of manly valor rather than the cruel and blood-thirsty god of Greek mythology.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.