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Psychedelic film is a film genre characterized by the influence of psychedelia and the experiences of psychedelic drugs. Psychedelic films typically contain visual distortion and experimental narratives, often emphasizing psychedelic imagery. They might reference drugs directly, or merely present a distorted reality resembling the effects of ...
Following a psychedelic-fueled party at his house, Z-Man goes on a murderous rampage. Peyote: 1970 [5] Blue Sunshine: LSD: 1978: Blueberry: Ayahuasca: 2004 [6] Brain Damage: 1988 [7] Climax: A dance troupe's punch is spiked with LSD, causing those who drink it to respond with violence against themselves and others. LSD: 2018 [8] Crystal Fairy ...
Psychedelic films are film that feature psychedelic experiences or imagery as central plot and/or stylistic elements. Pages in category "Psychedelic films" The following 37 pages are in this category, out of 37 total.
First, a trippy movie has to be visually dazzling or off-putting enough that it makes you question reality. Second, they should take you on a fantastical ride, preferably one that pushes the ...
The movie features several elaborate psychedelic 3D computer graphics sequences as a means of portraying Blueberry's shamanic experiences from his point of view. Jan Kounen , the director of the film, drew upon his extensive firsthand knowledge of ayahuasca rituals in order to design the visuals for these sequences, Kounen having undergone the ...
The concept of Headcandy is kaleidoscopic, psychedelic visuals set to music and viewed while wearing a 3-D style pair of prismatic glasses. The film covering the lenses of the glasses refracts white light into a prism of color. When viewing Headcandy in a dark room it turns the monitor into a gigantic wall of color kaleidoscopic visuals.
Even after Laura's murder was solved, "Twin Peaks" found life in a movie prequel, "Twin Peaks: Fire Walk With Me," and Lynch revisited Cooper and Co. for a new generation with the third season in ...
Beyond the Black Rainbow has been praised for its visual style. Cosmatos declared that his "modernist" use of color was influenced by Michael Mann 's Manhunter (1986) and The Keep (1983). [ 17 ] The blue hue cinematography – the "night mode" as Cosmatos dubbed it – was inspired by the freezer room scene in John Carpenter 's Dark Star (1974 ...
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